Tag: field recording

  • It has to be in person

    This piece has been specifically created for Seven Traces Contemporary Arts Festival in Caernarfon in 2014.

    The video art has been created by Jo Marsh has created an abstract film, which maps various parts of the local landscape. This was made using a purpose built sculpture which contained the camera and was rolled across the different terrains, filming as it travelled. Colourful components within the sculpture further abstracted the work, becoming painterly marks within the finished film.

    I made the ‘soundtrack’ to the film, playing with notions of sound design, movie soundtracks, and our perception of the relation between of sound and image. The sound art piece consists of field recordings made in a range of locations in Caernarfon during the night and the day, and of synthesised sound; the piece in general heavily relies on contrast and likeness between synthesised and recorded sound. The sound goes in and out of sync with the video, sometimes having no resemblance, sometimes being strangely suitable, but always forming new patterns within itself and with the video.

  • what the tree heard

    what the tree heard

    The idea of this installation comes from an attempt to comprehend or live through something larger than we can embrace with our minds through sound. In the case of this installation it is a relatively short period of time of one day.
    The initial recording comes from the ‘perspective’ of a tree in the quadrangle where the installation is located, as if it has heard and registered all the sounds that were made in or around the quadrangle like registers its own life through its rings.
    This space presents interest because of its own ‘micro-climate’: it seems detached from the rest of the university, living its own very quiet sonic life with occasional interruptions coming in from beyond its walls.