What sort of music do you write? This is probably the first question that a composer of contemporary classical or in fact any composer hears today. The difference between a composer of x and a musician that performs any genre of popular music is that the latter’s niche is often clearly defined. Because that’s how they get an audience. Composers, probably because of their solipsism, have not thought about this for centuries, so today we have this dilemma. So what sort of music do you write?
If you say you’re a classical composer, one suddenly thinks of Mozart, Beethoven, and assumes you must write sonatas, menuets, and symphonies. If you say you’re a contemporary classical composer, one questions how you can be both classical and contemporary – isn’t that an oxymoron? Once you say you write contemporary music, you suddenly end up in this strange world of ‘adult contemporary’ which sounds like a genre of erotic novels, with formats like ‘hot adult contemporary’ and ‘soft adult contemporary’. Do we, as composers, really want to share the word with that?